8 tot 10 november deelname: Fotofever Paris 2019 Carrousel du Louvre met foto’s van W.Vynck en Peter Bracke
Une nature morte est un genre artistique, principalement pictural qui représente des éléments inanimés (aliments, gibiers, fruits, fleurs, objets divers…) organisés d’une certaine manière dans le cadre défini par l’artiste, souvent dans une intention symbolique.
A still life is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or man-made.
Still lives are part of our iconographic memory, for centuries
artists depict such tableaux.
It’s a genre on itself, full of now often forgotten symbolism.
The fact that the same image in one language is described as dead and in the other as being alive inspired Peter Bracke to confront
animals killed by human intervention (pollution, plastic, road kill, …) and happy beach scenes with each other.
We are aware of the alarming state of our planet, warming, pollution, overpopulation, … But once on the beach, this problem is swift forgotten, even if there is 10 meters further one dead seagull entangled in a fishing net. The images of the dead animals are
printed on coarse sea sand, fixed on a Dibond panel with acryl-medium. The images of the animals almost fall away, disappear or dissolve in the sandy carrier.
The volatile beach scenes, snapshots, are polaroids.
Peter Bracke 2019